Escape Routes: A Journal by Adeline Gregoire

I.

Last year, as I was thinking about marronnage and escape routes, what it means to run away, to escape – I started to reflect on the transient, temporary nature of life, of all the things we believe will last forever, all the experiences, the moments which make up one’s personal life story. Much of this reflection was the impetus behind my piece, ‘Really Just Passing Through’, which riffs on a common idiomatic phrase that takes on heightened resonance within our Caribbean space and which you can see here. Much of this reflection stays with me even now.
Detail from Really Just Passing Through, 2025
In the first instance, this piece is a personal and reflective one where I’ve written about my own journey: from the simpler times of my childhood to the more complex negotiations of adulthood: creating my own path, becoming fully engaged in the world of art and culture, womanhood on my own terms.
 ∞
I wanted this work to address that whole process of unlearning and relearning, the joys, pains, challenges, rantings of escape and the pursuit of self-actualization, fulfillment.
 ∞
However, there’s another layer or a second reading to this piece which I felt would be my response to the ongoing turbulence and geopolitical crises of our present time.  There is a part of me that remains hopeful, optimistic amidst the trauma, violence, anxiety, pain and sadness. I choose to believe that even though we are caught up in one of the darkest chapters of our Human story, this chapter will not last forever.
We are really just passing through. Life as we know it is about the cyclical, universal law, about transformation and most importantly about resilience and regeneration.  Flowers will bloom again from this moment’s chaos and bloodshed.
 ∞
I’m in love with the mind and work of Arundhati Roy, and always return to her words: “Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.”

II.

 

A diary entry
Runaway

I want to 

far 

far

far

away

far from the people I know, this madness, run,

unfinished sentences and gestures, run,

far away from, run, this place of

broken souls 

Bone and Soil III, 2025
garbage, junkies, pushers, kids with eyes gone empty, too much coke
back bones gone limp – too much of every god damned thing
 ∞

far away from the uncle who spends his days sleeping, nights

walking-flicking-burning-clicking-burning-sniffing

/

I want to run away from these streets, grey with grime, stink of piss

streets they made for us to lose faith, to lose 

our dignity, forget ourselves

I want to run so far from these fucking gunshots, Tuesday night on a regular

police always too late

stench of complacency conspiracy

away from the cousin who lost 

himself in the pride, in the ego

in the way he just always know everything about every thing

runaway from these streets of terror

racing hearts and unstoppable wheels

so fast, everytime faster

I want to run away so far from the guys on the block

stop school early and never learn how to speak Instead is hiss-psitt-hiss 

like the snake waiting to bite

I want to forget they were there

I want to forget they were here

I want to forget I was here

I must forget I am here. 

far away from the people who know my name

all my names

they don’t know me

I want to need to must have to 

runaway to the edge of the world 

where I forget and where they forget me

I am, I am, I am a runaway

that same runaway

I will run away

far

from 

this

hole this crushing mess this suffocation heavy, overripe, ready to implode

to the same place 

far far far away 

where the moon is softer

where the sun has mercy on me

where the waters keep begging me to come back

Lamento Boliviano, Open Waters – Uncertain Futures, 2025

past the water

past the bush

past the last sign 

past the last scent

of any

thing and any one 

 

to a place where we remember that a human 

once meant humanity 

to a place where we remember to love again

to feel again

 

to

a place where we remember 

the depths of what love is

where love begins and how it never really ends

Bone and Soil II, 2025
Adeline GREGOIRE 22 mars 2024
Maraval, Trinidad and Tobago

 

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