(bpm: as the clock ticks)
Dear Mr. Glass, I wondered about Einstein. For years.
I wondered about the violins
I wondered,
Why the beach?
One Two Three
One Two Three
One Two
Stepping.
Treading.
Crashing.
Sand
Between my toes.
Grains? Footprints? Sea gulls? Waves?
I’ll wager it was the waves.
My father sat me down to count.
We began in fours.
He said
even numbers were easier.
He said
I must keep firm time.
He said
I must do it without the instrument.
He said
my body must feel it.
Tick tick tick Ting!
I felt the weight of the rod.
We laughed.
one two three four
one two three four
He was right, father of mine. But it was the odd ones that I felt in my body best.
one two three
one two three
one two one two three
one two one two three.
We laughed.
Relief.
Firm time. The odd ones brought us full circle. Perfectly.
Three times four equals six
Five times four equals ten
Seven times four equals fourteen.
Who knew it could be?
That time could be –
This.
Did you know that I cut carrots that way now?
Inside the glass box my mouth up against a mouthpiece, I must breathe in time.
Who knew?
That time
could be
That time could be
This?
That lungs were bound to time.
That you tested capacity
in time.
tick
tick
tick
I expanded.
I contracted.
The claustrophobia subsided.
I was keeping time again in my father’s study.
They kept at it.
Me inside that box, expanding contracting expanding contracting until they said,
Enough.
I cut carrots that way now –
in time.
It was all in my head they said.
After all the boxes and mouthpieces and monitors.
One
Two
Three
Three circular circles. Not perfectly perfect. They would do.
The blade sets its sight on an end and it goes,
a small gushing, crushing sound bringing me to a finale.
Silence.
And again
shh
shh
water, vegetable, steel.
Silence
Time
Dissolving
Not blowing up.
Dissolving
one two three four five six seven eight
(the clock ticks, remember? Right here. Right now. Firm time.)
The entire vegetable, reduced to geometric shapes, just the way it should be.
cylinder
to circles
to semi-circles
to rectangles.
They cut music that way, like carrots.
When the chef tells me I do it wrong
I scream at him, “It’s my bowl!”
Should I not be allowed near the knife?
Should I
Not?
(The clock ticks)
∞
Sharda Patasar is a Trinidadian writer, director, and musician with an interest in cultural studies. She was recently appointed an independent senator in the 12th Republican Parliament of Trinidad and Tobago.